Biography
This is my small corner of creativity. I represent Earlounge along with my friend EVENTHORIZON (check his page as well). We like to base our music and lyrics in search of identity, and of course, utilize it as an everyday scapegoat. Also, we'd like to voice out that Costa Rica is the best place on Earth. No place like Costarican breakfast.
Earlounge: etinto (Nicolás Solera) and EVENTHORIZON (Javier Leñero)
The first album "PRTYAU Became Brown" is a collection of old and new songs put together to create a varied sound in its whole. It spans from reggae, techno, to stuff that really doesn't have a genre like "Debacle in the Deep Sleep". I also view this album as "Earlounge's" small storage of oldies; works like "Singing for Godot" and "∞" which are classics. Theirs also our silly songs, the prologue, the intermission and the epilogue (mostly inside jokes that came out lucrative to my ear). Thus, that is why we named it "PRTYAU (inside joke that makes no sense) Became Brown (if you mix colors, they end up being brown, alluding to the variety of genres). Its an album that ranges from seriousness to blatant stupidity "hehe". P.S: 90% of the songs in this album are constructed with loops.
Album: PRTYAU Became Brown (Complete)
1.Prólogo: ¿Quién quiere un sencillo?
2.The Descent
3.Gourmet Infants
4.Religious Breach
5.Reggae de tinieblas
6.Intermedio: Mass of the Elizabethan Turd Tribe
7.∞
8.Rip Curl
9.Debacle in the Deep Sleep
10.Singing for Godot
11.Epílogo: Pausa celestial
"Vacio estando inmovil" is a concept album. What's it about? It starts off with my ex-girlfriend leaving, long distance phone calls, break-ups, and finally, an accumulation of nuisances that tore me for some time during my senior year in high school (hence the song "The Same/09"). The self-title track makes a summary of this time in my life, going deeper into who I am and why things were and are. The "HALT's" believe or not, have a purpose. They mark the breakup (HALTA A), the momentary joys (HALT B), and last, the parabola of between good and bad moments (HALT C). P.S: a 50%-50% between loops and genuine original content.
Album: Vacío estando inmóvil (Complete)
1.Mae no...[HALT A]
2.Escaleras
3.The Same/09
4.Spoiled
5.Clos
6.Y mae...[HALT B]
7.Traffic Lights, Rain, and Her Don't Mix
8.Fish Bait
9.No Touching Is Irrational
10.(vacío estando inmóvil)
11.Pshkpau mae...[HALT C]
I have to say it, our first "loopless" album. "Deeper Than Colors" embarked me to get in touch with the minds depths and how I could play with it and translate it into music...and this is the result. By far our most experimental album, using a electronic/industrial approach with some techno elements like in the song piece "Memory and Chalk Are On The Same Canvas". The names are long (except the self-title track, duh) because the names are the song. How to explain? For instance, "Dye the Beat At The Funeral" was inspired after my cousins grandfather who passed away. So I asked myself, if I were in charge of the funeral's music doing the music I do, what would happen? Well, if you want to know, I suppose you should listen to it. Last but not least, the self-title track is a poem told from a personal view point of what I see in today's modern superficial society and how people don't notice it or they just don't want to acknowledge it. P.S: Only the song "Deeper Than Colors" has lyrics.
Album: Deeper Than Colors (Complete)
1.Dye The Beat At A Funerale
2.Examining The Heart With A Kaleidoscope
3.Memory and Chalk Are On The Same Canvas
4.Why Shadows Bestow More Meaning To Light
5.The Ocean's Hue of Nostalgia
6.Improving The Shark's Makeup
7.The Subtle Movements Of Old Pictures
8.Deeper Than Colors
Album: Los cuentos de Admira-Málaga (Incomplete)
1. Everyday Current Electricity
2. At The Bottom
3. Avenida Kinsey
4. Forest Fires
5. Palacios de hielo
6. Nutshell (Málaga Remix)
7. Nutshell en el fondo
8. Ogigia
Earlounge: etinto (Nicolás Solera) and EVENTHORIZON (Javier Leñero)
The first album "PRTYAU Became Brown" is a collection of old and new songs put together to create a varied sound in its whole. It spans from reggae, techno, to stuff that really doesn't have a genre like "Debacle in the Deep Sleep". I also view this album as "Earlounge's" small storage of oldies; works like "Singing for Godot" and "∞" which are classics. Theirs also our silly songs, the prologue, the intermission and the epilogue (mostly inside jokes that came out lucrative to my ear). Thus, that is why we named it "PRTYAU (inside joke that makes no sense) Became Brown (if you mix colors, they end up being brown, alluding to the variety of genres). Its an album that ranges from seriousness to blatant stupidity "hehe". P.S: 90% of the songs in this album are constructed with loops.
Album: PRTYAU Became Brown (Complete)
1.Prólogo: ¿Quién quiere un sencillo?
2.The Descent
3.Gourmet Infants
4.Religious Breach
5.Reggae de tinieblas
6.Intermedio: Mass of the Elizabethan Turd Tribe
7.∞
8.Rip Curl
9.Debacle in the Deep Sleep
10.Singing for Godot
11.Epílogo: Pausa celestial
"Vacio estando inmovil" is a concept album. What's it about? It starts off with my ex-girlfriend leaving, long distance phone calls, break-ups, and finally, an accumulation of nuisances that tore me for some time during my senior year in high school (hence the song "The Same/09"). The self-title track makes a summary of this time in my life, going deeper into who I am and why things were and are. The "HALT's" believe or not, have a purpose. They mark the breakup (HALTA A), the momentary joys (HALT B), and last, the parabola of between good and bad moments (HALT C). P.S: a 50%-50% between loops and genuine original content.
Album: Vacío estando inmóvil (Complete)
1.Mae no...[HALT A]
2.Escaleras
3.The Same/09
4.Spoiled
5.Clos
6.Y mae...[HALT B]
7.Traffic Lights, Rain, and Her Don't Mix
8.Fish Bait
9.No Touching Is Irrational
10.(vacío estando inmóvil)
11.Pshkpau mae...[HALT C]
I have to say it, our first "loopless" album. "Deeper Than Colors" embarked me to get in touch with the minds depths and how I could play with it and translate it into music...and this is the result. By far our most experimental album, using a electronic/industrial approach with some techno elements like in the song piece "Memory and Chalk Are On The Same Canvas". The names are long (except the self-title track, duh) because the names are the song. How to explain? For instance, "Dye the Beat At The Funeral" was inspired after my cousins grandfather who passed away. So I asked myself, if I were in charge of the funeral's music doing the music I do, what would happen? Well, if you want to know, I suppose you should listen to it. Last but not least, the self-title track is a poem told from a personal view point of what I see in today's modern superficial society and how people don't notice it or they just don't want to acknowledge it. P.S: Only the song "Deeper Than Colors" has lyrics.
Album: Deeper Than Colors (Complete)
1.Dye The Beat At A Funerale
2.Examining The Heart With A Kaleidoscope
3.Memory and Chalk Are On The Same Canvas
4.Why Shadows Bestow More Meaning To Light
5.The Ocean's Hue of Nostalgia
6.Improving The Shark's Makeup
7.The Subtle Movements Of Old Pictures
8.Deeper Than Colors
Album: Los cuentos de Admira-Málaga (Incomplete)
1. Everyday Current Electricity
2. At The Bottom
3. Avenida Kinsey
4. Forest Fires
5. Palacios de hielo
6. Nutshell (Málaga Remix)
7. Nutshell en el fondo
8. Ogigia
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