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| Would You Like Me To Go To Hell? by DeathNougat | 2 years ago |
| Hey, thanks for listening as always – the acoustic version must wait till I can lay it down right, guitar's not my main instrument anymore! |
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| Mitigated Machinesong Take 3 (Extended) by bobboblobbo | 2 years ago |
| Hey, thanks! These are borderline loops – that is, they are not the readymades that come with Garageband. Rather, I assembled this with Garageband's midi function, but then made sections with that that I sped up and slowed down, and transposed. So not quite a live thing, but neither just a loop assemblage. |
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| Please Excuse My Dear Aunt Sally (Instrumental) by Ausdude | 3 years ago |
| This has some rather unusual flavours, to put it one way. The echo-y voice and the contrast of the piano with the Drum & guitar riff were interestind. | |
| Calimba System (9 Feb 2009) by bobboblobbo | 3 years ago |
| Thanks! Oh, I've developed two small calluses, one on each thumb, by now (they even smell a bit metallic after each playing session). Kalimbas are good fun to play! I should really get a better mike to record the kalimba with – some of the sound quality is lost by using the iBook mike. |
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| Trois Gnossiennes Part 1 by aspaff | 3 years ago |
| Interesting improvisation on the Oud instrument in the last section. I'm usually finicky about variations on Satie, but there were a couple of interesting interactions between the chord changes and the superimposed melody. |
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| Black insect visions paranoia by bobboblobbo | 3 years ago |
| Side note: My neighbours provide unexpected percussive accompaniment at the end by banging on the wall. Good fun. |
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| Pyro Pyro Level 5 - The Funky Passage with the Neon Lights by bobboblobbo | 3 years ago |
| PS: There's plenty more Pyro Pyro music. It's all on my artist page. | |
| Commuter Meditation by MMI | 3 years ago |
| Hey, Thanks for the great comments! I'm glad the music was enough to fool your kids, even if for a second  Lovely piece, by the way, I like how the bass synth occasionally approaches a drum-like technique |
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| My Car is Not Broke by DeathNougat | 3 years ago |
| Hey, sorry it took me so long to say so, but thanks for all the comments on my songs! Very appreciated I really like what you're doing with your music, by the way. |
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| Your Future's All Used Up by DeathNougat | 3 years ago |
| I am intrigued by these super-short segment pieces. They're like the nouvelle cuisine of iComp. |
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| The Bone Song by bobboblobbo | 3 years ago |
| In fact the playing is very bad - kindly don't listen until I get a new version up, if I do | |
| faux fur (leelanau county) by margoli13 | 3 years ago |
| I most like the beginning and ending bits - the arpeggios were lovely, they reminded me of Meredith Monk, and other 20th Century composers whose names are not quite on the tip of my tongue currently. You should improvise more! I mean - you have the technical fluidity to make it sound completely pre-composed, which is most admirable. |
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| (AAC ReUpld) Mutant Loops by bobboblobbo | 4 years ago |
| Incidentally, this piece is not very good. Best not listened to. | |
| DO THA MARIO!!! by iaimo | 4 years ago |
| Most excellent One note is wrong, true - but oh well, it's ok Nice |
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| Gnossienne No. 3 by feenixx | 4 years ago |
| Hm - interesting version. It is a bit odd that you truncated the melodic line in the middle (when the song has transposed to e minor), you know that arpeggio bit (it's very frustrating to type about music without being able to hum about it) – normally that's one of my favourite bits as it can be dizzying with its shifting accents, although returning abruptly a bit later does make this version stand out in that way. In the past I've been a classical music pedant – now having moved on, I must say I like this. By the way, thanks for the kind comments - keep on playing and listening |
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| Delhi Kaida Dance (rough) by bobboblobbo | 4 years ago |
| incidentally: I have just realised that this piece needs good headphones or good bass in a stereo to sound right. | |
| DRUM SOLO WITH DUCKS! & PIGS ! by EdPeahota | 4 years ago |
| Ducks, glass and the pig were great ideas! Although the explosions were surprising - curiously they blend in a bit into the drum sound. | |
| Delhi Kaida Dance (rough) by bobboblobbo | 4 years ago |
| Ah woops, didn't make that clear I transposed the tabla bols to more or less similar sounds on the gamelan the high stroke "na" becomes a high reyong, that is tiny horizontal bowl "TiTa" and "Ti", muted strokes on the high tabla, become a sound effect i made from a can to sound like a muted reyong, called in english 'pulse' "Tun", open stroke on the high drum, becomes a lower xylophone-like instrument's note on the gamelan. "ka", muted stroke on the bass tabla, becomes a muted drum sound i made from hitting a piece of cardboard. "Ge", and all its variants, that is, open stroke on the bass drum, becomes different varieties of gongs - sounds like a bass line, but in fact reflects the modulations done by the player on the bass tabla. I used samples from different sizes of gongs for this purpose. I actually do play tabla, not excellently, but don't've them with me at the moment. but in any case, the experiment was transposition of the pattern. |
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| Peacherine Rag (1901) by georgeptingley | 4 years ago |
| Lovely! I have only heard the entertainer before hearing this - I take it this is a version with live piano playing? The instrument quality is too good to be a midi, &c. However, there is something curious about the right hand dynamics - but I am not very conversant with ragtime, so i might just not be used to the technique. Anyway, please do keep producing! |
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| The Bone Song by bobboblobbo | 4 years ago |
| Incidentally, the playing on this is no good - i will do this and a few of the other performances over again so that it sounds better | |
| Gnossienne 7 (E. Satie) by ChristopherAllen | 5 years ago |
| Excellent work - very nice recording quality, also. By the way, why not try recording some of Satie's harder-to-find pieces like the Ogives and Sarabandes? | |
| Pyro Pyro Level 3 - Ancient Ruins by bobboblobbo | 5 years ago |
| Thanks, ukkixi! About three other pieces on this theme (video game music) are soon to be put up, too | |
| Discontent (2 of 5, Adverse Elements) by becwil | 5 years ago |
| I like the contrast between the main idea and the other elements - sounds like a sound collage - very delicately done, which is interesting, as the transitions are disorienting enough to be interesting in that way, without losing the listener. | |
| rapid eye movemnt by spooky_driver | 5 years ago |
| The backwards groove was very well done, methinks - great work! Piano melody bit halfway through sounded a bit tense, but that's just in the way the notes were laid out rythmically, which is always a subjective thing. Good work, and keep it up! |
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| Gnossienne 5 (E. Satie) by ChristopherAllen | 6 years ago |
| Good Work, Chris! It's always good to introduce Satie to new audiences. | |
| Futurismo by bobboblobbo | 6 years ago |
| Wow! Listening count has reached 500 for Futurismo! I'd just like to thank all the listeners for making it possible | |
| vnqpnvp by Stun_Nutz | 6 years ago |
| Great use of the percussion, dude! Especially the two-beat one that transposes a bit lower and then comes back up. I like the dissonant use of harmonies, and the percussive piano is very interesting. Indeed, I do like this very much |
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| Requiem di un amore perduto (Requiem of a lost love) by GmGasTer | 6 years ago |
| Interesting chord backing. The guitar gives it a nice touch, but, however, ou have to be careful not to become trapped by modal playing. Nice, overall. | |
| Crazy Insane Too Much Time Song by oceanplexian | 6 years ago |
| bass and drums were quite good. The loops layered on top were good also, but could've been better. Overall, however, it was actually quite nice. |
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| Ghost by Sheth | 6 years ago |
| Hmm. It's interesting, but sounds too nighclubbish for a boss scene. Then again, I've been raised on a strict diet of Final Fantasy, so my RPG ideas are a bit biased. | |
| Sister Moon and the Paper Joon (oh-no) by Matt Granz | 6 years ago |
| excellent drums! I love the build-up that happened. This is going in my favourites. | |
| Eleanor by gunk | 6 years ago |
| boy, I actually really like the main repeating ostinato pattern at the start. The way it is meshed with the other phrases is quite good. I'm split about the percussion, however. While it adds a nice groove, my own personal tastes tend to make me like somewhat more complex rythms (kind of like in Jazz and in percussion-based world music) In any case, however, I really like it. |
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| Remember by Balok | 6 years ago |
| I agree that this is a very celtic-influenced piece (but perhaps in an indirect way? for example, second-hand through someone like Enya or another celtic-influenced artist.). I like the oboe-like thing at the start. At the second time it comes, it does something which sounds almost like a momentary key change, and also the rythmic pattern it introduces is an interesting contrast to what surrounds it. |
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| Follow the LORD by NItrosask | 6 years ago |
| Don't mean to be mean, but I concur with Slappytwac. Things can get better, however! Instruments always help, for one thing. Also, check how you record; the sound quality suffers from bad recording. Good luck in your endeavours. |
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| My Song 3 by tedjac | 6 years ago |
| greetings, personage, I liked the guitar tone - nicely done! Also, I think that the loop usage here was quite nice and smart; well worked in and realistic sounding. |
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| robotic by elProducto | 7 years ago |
| hey man, your file doesn't load up, so I can't listen to it. | |
| Rock in Reverse by einoo | 7 years ago |
| Good work, dude man. I like it better backwards than forwards. | |
| I dreamnt Nintendo by lango | 7 years ago |
| In terms of nintendo, video game-style, I would say that the only thing like that here, really, is the (maybe tri-wave), bleepy instrument playing throughout. Then again, my view of video game music is different, perhaps. It is ok, but not in my interest sphere. | |
| Russian Tennis by bobboblobbo | 7 years ago |
| That's fine; I've been crashing in Safari myself when in my pages, so now I guess that that is the issue. | |
| I SEX MYSELF by poopbot | 7 years ago |
| Weird cool fun thing. | |
| Brouwer-Based by bobboblobbo | 7 years ago |
| Thank you, ochyming. I've been trying to find good Pipa music lately, but it proves challenging! Oud music - Have to look more into it. | |
| fake looop by ochyming | 7 years ago |
 Greetings, personage. A nice piece of desert music. It is interesting to hear the swing between two parallel parts. |
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| Alchemy by QB | 7 years ago |
| It is strange to choose your murder weapon because it rhymes. | |
| Psychic Detective by Neumuzik | 7 years ago |
| I like the texture and lilt of it. It is quite quite cool. Sounds like bladerunner to me. |
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| Space Paste by Moon | 7 years ago |
| Cool things, both this and today's other. I like the tone of your instruments, especially. All sounds quite trippy and nice. | |
| Minotauro by bobboblobbo | 7 years ago |
| Thank you, kirstyjo. My brother said the same thing on legato, which is interesting | |
| Brouwer-Based by bobboblobbo | 7 years ago |
| Cool. | |
| Arid Blues by bobboblobbo | 7 years ago |
| Thank you kindly, polyethylene guy. | |
| e-train(trumpet E-flat) by andantino | 7 years ago |
| I really liked the drum and the harmonies. Good work. | |
| Finally Waking by Drumsarehot | 7 years ago |
| I did like the textures of it. Though it lacks variation in a couple of places, it is an interesting idea (although I do not know if I am biased because I have a dream obsession, and your description captivated me.) However, it might be an approach of branching, as opposed to development, of musical ideas. |
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| Wild Guitar Yodelling by bobboblobbo | 7 years ago |
| 100 number 3! | |
| Beethoven Jazz by ssstebbe | 7 years ago |
| Very blues-piano, Louisier-ish (who was the pianist that said that Jaques Louisier had stolen his style?) | |
| Underground Incidental Music by bobboblobbo | 7 years ago |
| Sake is a good sake to rate for. | |
| Transit Of Venus 3 by johnwesleybarker | 7 years ago |
| Why is there a comments sheet only in the last installment? Either way, this piece is technically proficient, and has certain nice patches of medieval texture. It's good. | |
| When I Am King by network13 | 7 years ago |
| 111 views and no-one's put up a reply? Hmm... | |
| Triaxe by Klaus Evil | 7 years ago |
| Nice song! Very desert-cruisy. | |
| Final Chance by paulsahner | 7 years ago |
| One should most mostly promulgate the love of chords. It only sounds inspirational if you think about dusty little church reed organs and suchlike; it reminds me more of a song I heard in high school, in that sense. | |
| Fake Song (2) for the People's Republic of China by bobboblobbo | 7 years ago |
| Wow! I feel most delievered. | |
| DreamSequenceOne by einoo | 7 years ago |
| Crazy great fun! I do commend this, I do. It sounds like some of the work Ottmar Liebert did on CD2 of 'Opium'. Where has this einoo been hiding? | |
| Fake Folk Music by bobboblobbo | 7 years ago |
| Sloppiness is hard to fake well, but it was all first takes, so all great shakes. (what the hell does that mean? Does it even answer the question? Well, the answer is yes.) | |
| Wacky Mac [Doo Wop] by hamdog | 7 years ago |
| Definetly aberrant and good. However, It was hard to hear the Wacky Mac part; vocals might've been underbalanced. What IS Wacky Mac? |
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| Arid Blues by bobboblobbo | 7 years ago |
| sorry 'bout the huge image thing, folks. It is being worked on; I can't do it myself as there is some kinda problem with the image upload system. | |
| vocacidal by hazardMR | 7 years ago |
| It's good to play not so gud. | |
| Futurismo by bobboblobbo | 7 years ago |
| thank you zolfikar. I can see it as work music. What do you do? Perhaps it could be an odd office. |
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| snurfapuss (jazz snurf) by woodguy32 | 7 years ago |
| I like the videogame groove/80s Jazz-fusion double-tap guitar feel to this song. | |
| Reversable Centurion (The Song That Won't Die) by jobu | 7 years ago |
| I'll say what everybody rightly says (that this is very good; I don't even generally listen to rock and I really like it). also, this piece has a very arch-like feel, like walking on top of a giant painted oil drum on its side, with a correspondingly rotating background of night to day to night to day, cyclic city lifetime. |
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| Johnny Stone Jingle by Andy Joe | 7 years ago |
| My favorite jingles were those that didn't use loops; they sounded more radioish and odd. Why did nobody else see this one until I did? If you post too many songs at once, some will inevitably get lost in the shuffle. | |
| Weird Alternative by fifafan | 7 years ago |
| Nice woven-up synth bit; I liked how it worked with the rest of the sound. Are you using live drums? Keep 'em comin'! | |
| Futurismo by bobboblobbo | 7 years ago |
| ps: thanks to all the guys that wrote down nice things, and also to Neumuzik for being a considerate non-fan. | |
| Futurismo by bobboblobbo | 7 years ago |
| Well, whatever. Hope you enjoyed your moment of anonymous commentary. However, thinking about it, were it not for the last bit, it'd be an interesting commentary, as to a cat and a chase. Does it fit really? I found it more to do with lighting and other such things, but hey, that's me. Slightly stereotyped storyline about the cat, though. (interesting assumption that I do not know how to play. 'tis a common perception among the critics of each generation's new music that the more unconventional musicians do not know how to play their instruments, while it is just a lack of hegemony in the style of composition) |
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| Something Smells Like Another Thing by einoo | 7 years ago |
 I like the piano. The drums are...drumlike. Mind if I steal your idea? |
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| Okei (Spontaneous Zombie) by bobboblobbo | 7 years ago |
| Cool. I like this comment (and also the one on flying mole.) Keep it coming folks. | |
| Sudden Death as a Cause for Concern by secondchances | 7 years ago |
the louder-voiced guy has a strangely unusual way of singing; very interesting. Very good eq-work when considering the resources available. I am not a big follower of rock, alternative, and all that kind of thing, but I do wish you guys all the best, since you have such unbridled enthusiasm. |
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| Fake Folk Music by bobboblobbo | 7 years ago |
| Why, thank you polyethylene guy (great name, I must admit). Why don't you post up some songs? I was trying to see what your compositions were like, but you haven't released any. It is weird that this composition is so popular; Most of the effort went into the mixing, where the structure was actually constructed. I guess its tone must be happier and lighter than that of my more formal pieces. |
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| Story of the Fetus by georgeh | 7 years ago |
Thank you for that. Kindly make more, if you so could. |
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| THEY COME by Contra48 | 7 years ago |
Great work, man! |
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| One-Handed Structure by bobboblobbo | 7 years ago |
| Well, the mistakes are there because this was half-improvised and, quite simply, I am a better composer than pianist, so that is why they are there. | |
| The Evil Toys by einoo | 7 years ago |
Great stuff, man! What instrument were you using? How did you get the file size so low? |
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| Flying Mole vs. Flying Worm by bobboblobbo | 7 years ago |
| Hmm.. Thanks to einoo and deputydoofy for nice comments! As to getting it (Neumuzik), what is there to get? | |
| A Day in the Robot by einoo | 7 years ago |
| Very nice and juicy, I like the robot feel of it. It could use some trimming, but on the whole is a nice thing and should be praised therefore. | |
| Rocks (remix) by Archangemakiaveli | 7 years ago |
| Is it only the chicken that takes cocaine? | |
| A song for my chiken by Archangemakiaveli | 7 years ago |
| I don't know whether funny songs fall into the ratings system, but this was interesting in that it is really weird. Thank you. | |
| Where's The Back Door? by Zebra | 7 years ago |
| Interestingly choked guitar. It is semi-industrial in tinge, but more dynamic than most things so called, which is good, | |
| The Gospel Truth by Garage Bandito | 7 years ago |
| Would Vocals be necessarily the ideal thing to add? There are other ways to fulfill the promise of a song. The Organ part is good. | |
| Yankee Doodle Blues piano/vibes quartet by ssstebbe | 7 years ago |
Very nice thing! It is interesting how the piano sounds like a toy piano at the start. Keep on truckin'. |
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| Love Alters Not/Demo by Dadai | 7 years ago |
I would tend to agree with neumuzik in that I think that a musical adaptation would have to either take the poem's rythm and accent structure and use that as the base of a song, or adjust the poem to take in the structure that you have in mind. I liked the singing and the chord progression seems like a suitable modern accompaniment to the sonnet, but I think that the words were under-balanced in relation to the guitar, EQ-wise |
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| Fake Folk Music by bobboblobbo | 7 years ago |
| Always glad to be of service! The box-drum and the harmonica are out of synch at the start, though, which is a bit annoying. This is a rough sketch for an idea I had when I bought a toy harmonica at a thrift store. | |
| Taurus by johnong | 7 years ago |
I really like the vocal technique you use; it sounds like if you'd effected it heavily. I do want to hear a vocals-only version; it'd be very interesting to hear the modulations you do by themselves. I think that the choice to add a techno beat was good; it sounds like the music to a movie, with a strange revelatory experience in a club. |
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| cous cous by triage | 7 years ago |
Great vocals! The bass and organ do play a subservient role, but it gives the piece a 'just out of the wash, smelling so very clean' feeling, very bright white in color. Very light texture, like a nice soufflé. |
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| binker by skaterbob | 7 years ago |
Good stuff. |
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| Cadmium by Facemyer | 7 years ago |
I liked the drum parts most of all. As an 'industrial' piece it's good, but I look for machine music, rather, so I am an abberrance. Good work and great performance, man/woman/child. |
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