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Loginfuzzynormal's 100 Most Recent Comments
| Different Kind of Wonderful by fuzzynormal | 2 months ago |
| Half the band thinks it's a bit to, uh, "fey or dandy or 'you know'," but I'm pushing for a unabashedly pop tune on the next record, so yeah. It's brand new. Made over the weekend. Still trying to figure out what to do. | |
| Different Kind of Wonderful by fuzzynormal | 2 months ago |
| Thanks. I think it'll turn out better once we do a proper recording of the tune and get the back-up harmonies in there. | |
| Hot Little F*&@$*! by BossHook | 10 months ago |
| In my mind, the trucker girl at the end of the bar is playing on the satellite trivia game pad and knows who the Earl of Wessex is. Maybe she drives a lorry instead of a truck? Makes her even more bad-***, in a hopped up 10 ton Mercedes driving on the left side of the road in Bristol and Bradford on Avon. I can't think of any naughty words that rhyme with 'lorry'. |
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| Bottom Drops Out by BossHook | 1 year ago |
| Dang, I need to hire you guys to produce songs for my band! | |
| Beastie Boys - Root Down (MissRedd's Re-Construction Remix) by MissRedd | 1 year ago |
| I like the groove of that bassline. That's really tight. I could see using bass in a really assertive rock tune. I agree with other posters, this version is much smoother and fits better on my summertime iTunes playlist than the original ever would. | |
| LOVE BOMB!!! by itiswotitis | 1 year ago |
| Oh wow. This is such a fun groove. I can't help but be impressed. Love the complexity of the mix. | |
| The Problem with Trousers by WettonFan | 1 year ago |
| I'd be interested in hearing a brief explaination of your technique for making the guitar tone, btw. If you're so inclined it would make a nice article for the on-line forum. | |
| The Problem with Trousers by WettonFan | 1 year ago |
| Hey. Very impressive the way you're able to emulate the solo guitar via MIDI. A brilliant tune from the aspect of highlighting the strong technical potential of GB; not to mention that it's a dang fine song as well! Very smooth. | |
| Romeo / Juliet * Star Crossed Lovers * by joolsoakland | 1 year ago |
| Do I detect a bit of the "Jam" in the melody? Sweet. Verona truly is a town called malice, eh? | |
| So Alive by docradio | 2 years ago |
| One of the things that strikes me regarding the tune is the variety sonic phrase flourishes that fly in at the end of progressions. The variety keeps the whole song bouncing forward nice and briskly. I can hear influences of some of your commercial radio work asserting itself and that quality works perfectly for these kinds of songs. Or just songs in general. It's always good to keep a listener on their toes, so to speak, especially for enjoyable pop confections like this. |
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| The PlayStation 3 Song by docradio | 2 years ago |
| Fun stuff, man. Dig the falsetto harmony! Is this going on your radio gig? | |
| So Alive by docradio | 2 years ago |
| Great pop sensibilities. I like the Ben Fold's quality of your voice. Obviously, you know how to do the pop music production thing and the song structure is great, plus you have something new happenining every few bars which is perfect. I'd bring out the bass a bit though with some fills at the breaks where the drums drop, but make no mistake this is far and away superior to what I'd ever accomplish. Impressive ear for mix too. What RTAS plugs are you using for mastering and vox? |
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| I love fat woman by Drugon_voice | 2 years ago |
| I also is lovings of this fat womans. It's very nice for sad and sexy time. Rock and Roll! | |
| The boy by brnPetra | 2 years ago |
| I don't know if you like comparisons, but I get a Sophie Zelmani vibe from ya. That's a compliment! I like this tune the best as it pushes some more assertive vocal into the mix. I get the feeling that you could rip it up a whole lot if you really wanted to cut loose! | |
| You by brnPetra | 2 years ago |
| I really like the airy quality of your voice on this kind of light floaty song. I dig the double track on the vocal too. I'd save it for the chorus though and maybe add some extra back-up harmony vox during the chorus and get more intense about it 2/3rds of the way through. The song just needs a cool place to go a few times in the tune. Build up some layers and then pull it back all the way at the conclusion and it'll be an even sweeter ride. Good stuff! |
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| Solid Ground by songjammer | 2 years ago |
 Well, I'm very impressed. Listening to the way you build your vox throughout this song is incredibly engaging. Very nice! |
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| sleepy man (I'm gonna kill you if you don't shut up) by ponkey | 2 years ago |
| Hand Claps! Pile on some of that and a bunch of percussion in the final third. Why not? Cow bell, bongos, triangle... load it up. | |
| Per_coolated by Geechi3 | 2 years ago |
Too much fun! That anyone could claim this isn't a "real" song is nutz. Sometimes a splash of this kind of enjoyable fluffy pop has expotentially more vibrancy than any of the overwrought pretentious quote serious unqoute songs out there. If you can't bop to this, you got a serious misconception about what music is all about. Enjoy it. |
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| Take These Flaws by Geechi3 | 2 years ago |
I'm new to iComp, floated across your profile and got locked in for, oh, 90 minutes or so. This was my fav track. The layering w/vocals are simple but elegant. Love it! |
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