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Logintoots's 100 Most Recent Comments
| Tonight You Belong to Me by darned | 1 year ago |
 Really great! Nice sound on the ukulele and the drums. |
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| gum (my 7 year old sings) 1st birthday orchestral remix by woodguy32 | 3 years ago |
forgot to rate the last time before I pressed submit |
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| Twenty by Luca | 3 years ago |
I think it's a really nicely done instrumental new age groove. In the beginning it reminded me of a song I had done that has a similar feel, but it went in a totally different direction. It would make a nice little interlude in a TV show or a movie, cinematic, in other words. Very nice tidy guitar playing, not exactly ear-shattering, but very well done and soothing. |
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| gum (my 7 year old sings) 1st birthday orchestral remix by woodguy32 | 3 years ago |
| I have always liked this song, and I think I actually like this version even better than the surf version. Maybe the strings make the prospect of hair-cutting seem even more tragic. And I love the way your daughter says "Gum-gum-gum" Good job! | |
| Dwell-full version by toots | 3 years ago |
| The Hammond B3 is the GB2 organ. The sustain pedal turns on the Leslie, and there's a ramp up and a ramp down, so it's pretty realistic. I have two tracks, one Jazz Organ and the other Gospel Organ and when you blend the two it's like you adjusting the drawbars. Pretty neat, eh? I'm glad you like the song. I hope it can bring people up, though it's sort of a heavy message type thing... |
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| Can I Keep You by HayleyDeakin | 3 years ago |
 Very nice. Good instrumental bed. The solo voice sort of gets lost, and the vocals stand out more when the harmonies come in. Nice little break in the middle there. |
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| The Song That Saved The world by BlackLily | 3 years ago |
Boy, Howdy! Nice to hear this...It's sort of ticklish, this. "Finally got to where it was running to..." |
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| My Brains Eat Zombies by BlackLily | 3 years ago |
This is the greatest. Words sync with the music really well, and though hard to understand without reading them, it all works. I even like the guitar solo! |
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| The Chains We Choose by toots | 3 years ago |
| Hey Thanks guys! I did this song for a competition so I pulled out all the stops productionwise. I think it's pretty pumped. All done in GB, of course. guitars all played through my amp, bass going direct, keyboard direct. Some of the strings in the bridge are played samples via my keyboard and there are some orchestra loops blended in.I maxed out my RAM on this one, and now I can't even play the GB file for more than a few seconds at a time. Mixing it was a real challenge! | |
| Who are We? by jobu | 4 years ago |
This morning, eh? that's pretty impressive. The song is a little depressing, or maybe it's the situation that's depressing... |
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| Congo Is My Favorite Movie by ModernMyxtismMusic | 4 years ago |
Cool music. Not a great title for such good music, but hey, a rose by any other name... |
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| Betcha By Golly, Wow by Truth42 | 4 years ago |
I really love this song, and your vocal is really nice. I can't say I'm crazy about some of the backing sounds, as it sort of reminds me of an ice-rink organ at times, but it's a decent performance, and sentimentally I have to give you thumbs up for choosing such a great song to cover. |
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| daft folk by toots | 4 years ago |
| I didn't actually stub my toe. That's just what this song reminded me of, that sort of walking-in-your-sleep thing. A stumble through the unconcious. Some pretty, accidental things happening here, but what the hey, warts and all, there-ya-go, that's me! | |
| The Maura Song by Apricot | 4 years ago |
I guess you do indeed like Maura! Nice song, not too explicit, more implicit. I didn't get the details tho. |
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| Curve by toots | 4 years ago |
| Comes from growing up on the US/Canada border, I guess. I probably was subjected to more Canadian media than US media as a child. Bruce Cockburn was probably one of the main influences on my songwriting for a long time, though this particular song was more inspired by the Waterboys when I wrote it, which was a while back. I was playing in a Waterboys type group then, and that's when I got nicknamed toots. It's because I sometimes talk like a relic from the '50s. Too many old movies, I guess. Oh, and thanks for listening and rating. Sorry for being unsettled about the relativity concept here. This song's probably not about that at all. he he he... |
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| the best ones by BlackLily | 4 years ago |
Y'know, I thought it was b.vocals too and then only later realized it was woo-ooo keyboard sounds after a while. Sorta nice. I like it. Reminds me of the Feelies or something I don't know what exactly. I like the soft distortion from the cheap crappy guitar. Simple. This falls into the pleasant instrumental camp. Ending comes around not very artfully. Lack of artiness is not necessarily a bad thing, though sometimes it looks like laziness. |
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| daft folk by toots | 4 years ago |
| I don't have a lot of gear, just a UB802 Behringer mixer, the basic $60 one. I plug that into a US-122 preamp. One thing I do is I ignore the red zone of the master meter (in the lower right corner of the GB screen) because it will make your recording sound too quiet when you play them in iTunes if you mix it so it stays out of the red. Apple seems to be playing it a bit too safe in there levels there, but because it is digital you can push the levels higher than you think and it shouldn't distort. If it does it should be obvious when you listen to it. I also use the Overdrive effect (the Boost Preset)in GB to pump up most mic'ed tracks. | |
| daft folk by toots | 4 years ago |
| that's NT1000... | |
| daft folk by toots | 4 years ago |
| Thanks for listening. I use a Rode NT1000 mic and place it just towards the treble side of the strings just on the neck side of the soundhole. I have a 30-year old Guild G37 acoustic which is a maple-body guitar, and has a tendency to be somewhat mid-rangey. This mic is excellent, probably the best 199 I ever spent on sound equipment (it was a demo model). I use it for pretty much everything. | |
| The Stubborn Shibboleth by ShowGram | 4 years ago |
This is cool. I love annoying vocals. |
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| Waiting For The Sunrise by spinner | 4 years ago |
pretty darn good for first time around. Keeping it simple is a good ide. (mental note to self: I should probably try that sometime...) I like the effects on your vocal. |
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| Daybreak by Z293 | 4 years ago |
Sure is some mighty pretty playin' there. |
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| Truckin' by jibes | 4 years ago |
cool stuff! |
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| layers 2 by inkubus4511 | 4 years ago |
Nice. I heard a little intonation problem too, but nothing too bad. Very cinematic, in a way, quite pleasant. |
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| Sympathize by Z293 | 4 years ago |
Nice. Sounds like SRV is somewhere around still. Nice wah work. Did I say nice already? Well I can't help it...this is very very nice. But...Can you sympathize with a crybaby? |
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| adrift&unbound v2 by toots | 4 years ago |
| And also there's I plugged the guitar into a crybaby | |
| adrift&unbound v2 by toots | 4 years ago |
| Thanks! Warning! guitar geekspeak to follow: The guitar is played through a Fulldrive 2 and a Boss SD-1 into my Peavey Delta Blues amp and mic'ed. The volume was sort of down on the amp, and all the overdrive was from the pedals. The intro guitar is a chunk of the ending reversed in Sound Studio. There's only one track of guitar, but it's detuned and capoed up on the 3rd fret. There was another guitar track but I lost it somewhere along the way. | |
| Something Is Missing by Jasont | 4 years ago |
First thing i thought is that Blacklily ( the best ears hear, IMHO) rates everything she rates a 5, but then I listened more, and came to the conclusion that this is really truly nice, very creative and different. Wilco? How would you think of doing this with Garageband? It's pushing the envelope. That's a good thing. |
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| Communism and the Celestial Jukebox by BlackLily | 4 years ago |
| yup..a joke | |
| Communism and the Celestial Jukebox by BlackLily | 4 years ago |
How do you do it? this is really different. Yeah, finally a slow night. Appropriately. Maybe it's because people should try to come up with stuff a highly conceptualized as this. I wasn't even aware of the Digital Music Copyright Act. mmmm... Senator Hatch? What the heck is he talking about? ...VH1... What? It's not MuchMusic. |
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| Sunday Nite Monday Morn by abbyd | 4 years ago |
Flutes eh? cool... I'd like to hear this again. The overall veneer of phasing makes this really different from the typical jazz samba feel. I don't know if some of the horn loops are necessary in the last 3rd as they are sorta GB loop-obvious, and don't really add a lot as they are. Maybe I've been working in GB loop-land too long though. Don't listen to me..., this is cool... |
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| Cool Samba jazz piano trio by ssstebbe | 4 years ago |
This is tall and tan... No really, wonderful piano playing. Must have been a ton of work to put this together, because everything really works together nicely. This earns a deep green (as in envy) rating from me. |
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| It is what it is by toots | 4 years ago |
| You're right. the vocal needs work. It's too loud by a smidge. I'll fix that. thanks. | |
| Things I Wake Up To by jobu | 4 years ago |
It makes a difference when you work with someone else. This is nice. The harmonies sound like Matthew Sweet territory. Like it! You must! Too short, but you fit a lot in, in a short space of time. |
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| every daughter by BlackLily | 4 years ago |
My disclaimer: I am a member of the Blacklily admiration society. But there's reasons for that. Like this. This is very cool. Great vocal, guitar is great, lyrics are great. Intentionally lo-fi might be an excuse, but it seems to work. There is still some potential for development, but restraint is probably wise here, as it leads to a very tender song. |
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| C Minor Blues jazz piano trio by ssstebbe | 4 years ago |
Nice work! |
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| It is what it is by toots | 4 years ago |
| Gosh you're quick. Did you get that G5? | |
| You took your love V2 by jibes | 4 years ago |
This is really nice. I think everything works really well together. I beg to differ about the guitar/vocal mix, I think it's just right. It sounds like a Harry Nillson type of Pop song to me. The Eels song in Shrek is "My Beloved Monster" which has more weird sounds in it, and I don't think it sounds that much like this except that it's also got a sort of tender quality to the vocal. Come to think of it, maybe the weird sounds would enhance a sort of straightforward song like this. Obviously I like your style too. |
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| Short Song About Being Content (ver. 2) by jobu | 4 years ago |
A very nice song that unfortunately sounds a lot like the verses to Beatles' Something. Sort of an Elliott Smith/Pink Floyd sound as well. Well produced and performed... |
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| ibu soda bomb by BlackLily | 4 years ago |
A bit hot level-wise, but appropriate. yo lo tengo-like vocals, abrupt shifts, it all works, especially if you're going for something different...certainly hits the nail on the head. didn't it need just alittle space in the end? I like your vocal a lot! |
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| Bucket by toots | 4 years ago |
| and I forgot to mention (in case you miss the obvious) that this song is sort of inherently ridiculous. I refuse to take myself all that seriously. This is just so much fun. "nothing's perfect for very long..." | |
| Bucket by toots | 4 years ago |
| Oh I forgot to mention my squeaky chair is a constant... | |
| Boom...it's time. by toots | 4 years ago |
| Interesting...the original lead vocal track is unchanged. The EQ is only on jobu's gargoyle track. Just shows how important context is. I may go into the mix and add a bit more of the megaphone effect to the vocal, as you might be right. Right now I'm a bit oversaturated with this.. how easy it is to lose perspective. Thanks for listening and for your review! | |
| my old school/I want one too by BlackLily | 4 years ago |
this is quite pleasant. I noticed you changed the name. this name is really much better. Interesting dense mix. it doesn't have much melodic focus, but a lot of vocal interplay compensates for that. I've tried to do a couple things like this, so I'm sort of partial to it. I want one toooo! |
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| Fades Away by toots | 4 years ago |
| Well maybe I can get him to vocalize a bit sometimes on this one too. That'd solve all my problems. | |
| Everybody That I Know (ver. 2) by jobu | 4 years ago |
I likes whistling. Anybody can do it! too short! Leaves us wanting more. |
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| Fades Away by toots | 4 years ago |
| in the words of William Blake's "Songs of Innocence and Experience: "Well we'll go & play till the light fades away." It's a very old idea... It should have faded out way before it got too repetitious, but I like the little crashing thing I worked out for the end and didn't want to nix it. John and I used to play in a band with Nathan and he had a song called Fade Away too. But I didn't write the words, Gray did. As for the vocals, what do you want for first takes? I didn't use any processing on the vocals to cover anything up, which is something I think people do too much. All the basic tracks were done in about 2 hours including writing the song. The wall of guitars took about half a day. |
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| Last Night: A Tribute to Little Walter by Daddio | 4 years ago |
I think the vocal is great enough to hear a little better. The harmonica sounds like it might be recorded with a different microphone. Why not use the same sound for the vocal? that harmonica is certainly pretty great. The guitar is a little stiff, maybe if it was dirtied up a little bit with the same effects you have on the harmonica it would blend in more. All in all quite enjoyable. |
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| alison's gone by BlackLily | 4 years ago |
This is one peppy tune. But I would like to hear the vocals better just slightly as the words are really clever. I like the ending, and could have heard a breakdown like that somewhere in the middle of the tune, for variety's sake. |
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| 61 Highway: Solo Slide Guitar by Daddio | 4 years ago |
I just really like this kind of thing. I know it's not for everybody, but I really dig it. I think the effects on the recording are a little out of character for the genre, but so what, as boriss put it. Reminds me of Skip James. Have you heard Tangle Eye? They take Alan Lomax recordings and put loops with them, could be an interesting idea for a fusion. Or the R.L Burnside stuff with Jon Spencer? |
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| Solo Slide guitar: Jesus is on the Mainline by Daddio | 4 years ago |
I am a big Ry Cooder fan, and I would imagine you are too. Very good slide work. The vocals could be a little more up front, but this is very true to the style. Sounds like Geoff Muldaur. Guitar sounds good. |
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| I Wanna Be On Fire (vocals) by SlimGirlFat | 4 years ago |
This is really good, as others have pointed out. I like the contrast between the double tracked parts and the solo vocal part. I would have liked an even greater portion of the vocals un-doubled, as you have good pure vocal talent, but this is a good direction. Other than the drums, something about the loops doesn't work 100%, but you probably know that. This would be greatly helped by using real jazz players instead of loops, but they are hard to get to show up for the gig sometimes. Reminds me of Slaphappy with Dagmar Krause. |
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| coffee and kleenex (recovery) by BlackLily | 4 years ago |
| Erik Satie, French impressionist composer of the 20th century. It's a good thing. | |
| coffee and kleenex (recovery) by BlackLily | 4 years ago |
I actually like the drunk version better, the pureness of it. I know your a phan of phasing, but it's the tremolo that sort of detracts from this one. I'm a fan of tremelo, but I think the speed of this particular tremolo might be too fast for the meditative feel of the music. I love the melody though. Reminds me of Satie or something. btw, no problem playing this. |
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| Young Love! by toots | 4 years ago |
| Thanks, jibes! The other versions all got comments that pointed out things I could improve, and that was quite helpful in getting this to a point where now I'm pretty comfortable with the song in it's most recent mix. I really should work on these things more before uploading them, but sometimes it's hard to see the woods for the trees. | |
| Alright by jobu | 4 years ago |
Nice and short and sweet. I could listen to it over and over. The little echoing on the vocal was nice, as it sounds like it's an echo that's sung and not digitally created. The cafe noise is convincing. Feels good. |
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| Find Me on the Back Roads by jobu | 4 years ago |
Nice idea. Not a super production, but good enough for a demo. Plenty of places to go with this one. Lots of untapped potential. |
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| UnderDrifter by BlackLily | 4 years ago |
| There's an intriguing sort of sonar-type of sound that seems to fit in well with your concept. But I guess I shouldn't rate this as I'm not sure I listened to the whole thing but for some reason this only played about halfway through after I downloaded this to iTunes. An upload/download problem? Weird. I was listening to it waiting for it to develop into something and at 2:36 in, it just quit and went to the next song in the player. Which was total avulvication revisted. I'll try again later when I get on my eMac and off this Windows XP machine. | |
| Silence by toots | 4 years ago |
| The original vocal track was recorded for something totally different, and Gray did sort of a bad engineering job on it. I liked the words though and the vocal melody, so I snipped it out and did this looping job around it, with the idea that at some point I would re-record Gray's vocal. We just haven't had a chance to do that yet because he's busy with college, but I think once we do, it should solve a lot of problems. As it is, this song is sort of a rough sketch of what it'll be someday. Thanks for the input, because it confirms what I was thinking. | |
| Stay So Long by toots | 4 years ago |
| Thanks again Lily. I sure could do a pedal steel part for you, if you like. It's a tricky beast, but I enjoy coming up with steel guitar parts. Let me know when you've got your song file up and I'll take a pass at it. | |
| Drunk Girl Crying by BlackLily | 4 years ago |
Yeah, this is really different. I love its imperfections. And it is a really pretty melody. This is real music. I guess this type of production may stand in the way of getting a lot of people to really appreciate it fully, so maybe it is ripe for re-doing, but I liked it. I listened to it a bunch of times before commenting, because it's hard for me to figure these things out sometimes. |
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| Barbie's Letter by BlackLily | 4 years ago |
Finally it's my turn. Nice job. I really liked the phasing, maybe could have been a bit slower phase, but it's fine the way it is. I like the sucky lead guitar, but my favorite part is the ride cymbal. Don't know if it needs bass, I don't really miss it. Great lyrics, radical vocals. A little repetitive. |
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| Pleasant Day by toots | 4 years ago |
| I actually worked on this a lot, editing the vocal down quite a bit, and layering it in a way to make it very musical. The slight cacaphonies are very intentional. The vocal was actually recorded on a Boss BR-532 4-track recorder and then brought into Garageband. It's a long story. thanks for listening! |
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| Jammin' with Blair by toots | 4 years ago |
| What happened here is that there's two different drum loops overlaid on top of each other and the drums got pretty funky in a not so good way because of that in parts. I felt it was a little off-kilter and the whole thing turned into a train wreck, but it's like seeing a crash on the highway, I can't stop looking...I didn't take it too seriously and was going for an innocent "Blue Jay Way" sort of instrumental. | |
| Bucket by toots | 4 years ago |
| Wow, thanks again. You seem to be my biggest fan. I really like your stuff too, BlackLily, and though I am not sure how we could work it out, I'd be honored to work with you. |
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| Talk to Me by toots | 4 years ago |
| Wow! Thanks a lot! I guess most of the credit should go to Nathan as it is his song and his singing. He's not such a Garageband guy, but with comments like this, you might make a convert out of him. We used to play in a band together and I always liked doing this song but never made a good recording of it until now.. Thanks for listening! |
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| Collaboration k_sze & SlimGirlFat (Are you Sleeping) by SlimGirlFat | 4 years ago |
soothing and intriguing at the same time. when is the CD coming out? |
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| The light went on by toots | 4 years ago |
| Hothouse Flowers? I haven't thought about them for years. I had Greg Brown in mind more, but everything changes anyway. The hey hey hey is a self referential quote to another song I'd written that sounded like this, so I'm quoting myself to myself, for all that's worth. Maybe it didn't work, but I really appreciate the input. thanks. |
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| Dominoes by toots | 4 years ago |
| Hee Hee Hee indeed. Thanks for saying you think I have potential pianist678, because I really value your opinion. Really. I wouldn't have been able to sleep otherwise. No, really... I mean, really... | |
| No one said it was over V1 by jibes | 4 years ago |
Sverker sorta nailed it, but I still want to chime in. It's really, really good. The creaking sound is a bit loud, could be used a little more judiciously. Otherwise there's a real conversational quality to the vocal that is a little Willy N.-like. It's very intimate, and probably just the right level to get this message across. |
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| Who they foolin' by jibes | 4 years ago |
This is another great song. I'd agree about the Little Feat feel, sort of like a "Lafayette Railroad" groove on this. I don't think it's too slow at all. The vocals are a little too loud, the bass sound is a little floppy, and it could maybe benefit from a bridge or a more distintive solo section. None of this makes it hard to listen to though, as it's really quite pleasant. |
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| The Reaper by jibes | 4 years ago |
I thought the vocals were a little loud, but it was reminding me of Harry Nillson. Groovy backing track, but the vocal sits a little above the groove. |
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| Pleasant Day by toots | 4 years ago |
| lol !!! actually a 6 year old, but still funny! Thanks for listening and leaving your comments | |
| Home I've Never Been by toots | 4 years ago |
| Thanks! I agree with your comments regarding the horns and I'll work on that. | |
| Dominoes by toots | 4 years ago |
| Du-0h! I just noticed that the line in the second verse that goes "...been working on the line..." sounds more like "...been workin' on the lawn...". That would make the song pretty non-sensical. I should put that on the long list of things to fix... | |
| Cow Song by ivanjs | 4 years ago |
This definitely brought a smile. I rated the creativity down a little, because after all it is a genre type of song. Very good vocal, and it really shows impressive range. I heard this on MUG radio. |
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| Dominoes by toots | 4 years ago |
| Thanks for your comments! Some of the words I notice now are less than clear, but what was supposed to be my guide lead vocal to be replaced never got replaced because I wanted to keep it fresh, and avoid overdoing it. As I said, this is about work, and sometimes work seems to go nowhere, so I guess I might have captured that frustration. Thanks for listening! | |
| She's Down (On Herself) by flo | 4 years ago |
I felt I should rate this because I had a slightly differnt perspective on this tune. I liked the abrupt ending, but I thought the guitar was too quiet. The vocal is very nice, but maybe more movement, in other words more variation or dynamics, in the arrangement would be good. I'd agree that it's over all very good. |
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| Four More Years by LeaJones | 4 years ago |
| This is great! A real song! I dig your politics. I hope that this song works to "take John Kerry all the way". As a recording, I would bring the reverb down. Other than that, I don't think it needs much. Maybe, just maybe,it could use more variation in the rhyme scheme, but it certainly gets the point across. You've got a great style. |
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| Walking in the Footsteps by LeaJones | 4 years ago |
| Really really nice, great singing puts the message across nicely. The fadeout seemed a little abrupt since I would have liked to hear more. | |
| String Practice by OldLady | 4 years ago |
| It sounds pretty musical and interesting and like you put a lot of work into it in arranging all those loops. It'd be interesting to see this performed live by an orchestra, but I like the way it sounds. Your excellent idea for a music video got into my head and wouldn't leave, so maybe my rating is influenced by that...it's as valid a criterion to rate it on as anything else though, in my opinion. Good job! | |
| Awake in Sleepy Hollow by LedQuagga18 | 4 years ago |
| Nice. I like it. | |
| The Gift by Keith | 4 years ago |
| nice and sincere | |
| Mutineer by toots | 4 years ago |
| Thanks...I'm not exactly a big Warren Zevon fan either, though on closer listen I have come to really appreciate a lot of what he produced throughout his much too short life. This song seemed rather atypical, and also open to a looser interpretation, and I wanted to expand the form of it into a more impressionistic territory. With Garageband it's a lot more possible through the use of loops and software instruments, so it was fun to track this tune, | |
| Mutineer by toots | 4 years ago |
| Thanks for the comment. The feeling is mutual, by the way. I really like your music too. Very accomplished. | |
| The Funkatizer by stefanopolis | 4 years ago |
| Fu-unky unpredictable groove-y | |
| The best Rap on here! I'm gonna! by Kechledon | 4 years ago |
| I would tend to agree with the other comment. Old-school. I like Vanilla Ice for some reason. Maybe because he was great in the Teenage Mutant Ninja Turtles 2 movie. And this rap was nice and short. Givin' props to Garageband is cool. | |
| Hanging on by rhonie | 4 years ago |
| I liked it. It was a little disconcerting to have the vocal and acoustic panned off to the side and I never really got used to it. It's a good song though, nice vocal, and an interesting arrangement. | |
| Unwind (remix No. 10) by Robb Montgomery | 4 years ago |
| Wow! nice. Is that real drums or loops? Is this actually Garageband? Great arrangement, nice song. Keep on rockin'! You're pushin' the envelope. | |
| appalachian_e-love by avuncularmom | 4 years ago |
| I don't understande why one of the keywords is terrible, because this is okay. Weird panning and weird timing and all. I liked the overall alt.-ness of this. Refreshing to hear this sort of "mountain" music. | |
| A Baltimore Squirrel by Frank And Louise | 4 years ago |
| It is indeed the best rap, ever. Peace out. | |
| A Tribute to Miles Davis: All Blues by Joe5524 | 4 years ago |
| I saw you were looking for comments on this in the the discussion forum. Well, frankly, I thought it was really quite stiff. I don't think Miles would dig it at all, so it's not really much of a tribute. It's also a cover, which isn't really allowed here. I listened to your Crazy Cuban track and thought that was better than this. | |
| The Crazy Cuban by Joe5524 | 4 years ago |
| A fun use of loops, but didn't really have a ton of stuff goin' on melodically, IMHO. | |
| Trampoline by rcaccio | 4 years ago |
| nice shredding! of course the melody was a little hard to grab on to, but definitely got the idea. I like this kind of thing...nice touch with the ethnic music at the end.. | |
| Be Like Fahd (remixed for clarity) by ffej225 | 4 years ago |
| Nice, powerful guitar sounds and techno ideas...Very Interesting. | |
| Sam's Lung by pirate jenny | 4 years ago |
| Sound's good to me...you really don't have a keyboard? It got a little busy, but it's pretty well put together. | |
| Particle Man (Cover) by dlefebvre | 4 years ago |
| GarageBand-Klickin & aGrinnin by macmidiot | 4 years ago |
| I liked the dobro part and the banjo loop seems pretty cool. The echo on the vocal sounds like the guy's in the silo and should probably go. It doesn't fit with the sound of the banjo. like a fool I went to find ApplePie.com to get some of those loops, but duh it doesn't exist. | |
| A Song That Went Like this by atrox | 4 years ago |
| I thought this was pretty good, especially the second part which I loved. Some of the other parts seemed sort of cartoonish to me. Love the sound of the guitar. What amp sim was that? I haven't found a good GB amp and have ersorted to miking my amp for most stuff. Works when the family's away... | |
| 10 Days After - What It's Like to be Lonely by Galen | 4 years ago |
| I don't know how to rate this because I loved it, but it's supposed to be bad...so I had to tone down my rating. "God hates me"? I don't know why all those people are cheering then. Isn't it weird how when you're at a big concert and there's a quiet soul-baring song there's cheering all the way through? Anyway, this is a total success in my book... |
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